Zur klanglichen Differenzierung im zwölftönigen Werk: am Beispiel von Arnold Schönbergs drittem Streichquartett op. 30 1 ASAI Yuta
Sounds as Indexical Signs: From the Perspective of Silverstein’s Theory of Communication 14 KANEKO Ami
La nouvelle phase de la musique pour clavecin au milieu du 18ème siècle: Les mains virtuoses de Jean-Philippe Rameau 52 TAKANO Yûko
Challenges of Performing Tragédie Lyrique at the Sheremetev Serf Theater (1775-1797): Based upon the Correspondence between Count Nikolai Petrovich Sheremetev and Monsieur Hivart (a Musician of the Paris Opera) 78 MORIMOTO Yoriko