Elucidation of the Role of Six Positions of the Eighteen Positions Installed on Shohei Tanaka’s Japanese “Just Intonation” Reed Organs: A Test of the Fifth Reed Organ and an Examination of the Data
97 SHINOHARA Moriyoshi
Contents
The First Performances of G. F. Händel’s Messiah in Japan: The Facts and Their Background
115 TSUGAMI Motomi
Research Note and Report
130
Book Reviews
135
The 73nd Congress of the Musicological Society of Japan
149
Reports on the Regional Meetings
179
Constitutions
181