Cultural Pluralism in Mitsukuri Shūkichi’s Theory of Godowasei (Quintal Harmony): Toward a Musical League of Nations 81 YASUKAWA Tomoko, CHEONG Wai-Ling
Sublimity and Force: On the Intellectual Background of the J. F. Reichardt’s Report on a Crescendo Experience 97 OKANO Hiroshi
The Correlativity between Prosodic and Musical Modifications in the Revision of Simon Boccanegra 111 HAYASHI Inori
On the Concepts of “Oneness” and “Mind Manipulation” in the Creation of Sesshu Kai around 1970: Focusing on the First Movement of his Music for Mezzo Soprano and Flute 126 HARA Rui